"Stephanie Leitch has made something that can stand on its own as a completely sensuous, physical experience, but one that grows richer with the additional dimensions added by recognition of its influences and, ultimately, deeper meaning" -Geoff Wichert reviews Interstices for 15 bytes.

Check out Brian Staker's write up of my latest installation in the October 13th edition of City Weekly.

Laura Hurtado reviewed the group exhibition, The Painted Veil, curated by Jorge Rojas, in the June 2016 edition of 15 bytes. The show included work from 15 Utah based artists: Trent Alvey, Jan Andrews, Christine Baczek, Jared Lindsay Clark, Daniel Everett, Jenevieve Hubbard, Sarinda Jones, Amy Jorgensen, Beth Krensky, Stephanie Leitch, Lizze Määttälä, Colour Maisch, Jared Steffensen, Roland Thompson, and Brian Usher.

Laura Hurtado reviewed the juried group show, Utah Ties with juror Mara McCarthy of The Box Gallery in Los Angeles, in the April 2015 edition of 15 bytes.

"Central to the enigma of the senses is the paradoxical quality of space, which evaporates when empty and disappears when full. Stephanie Leitch gives form to the invisible mathematics that make it real in the mind." -writes Geoff Wichert in this article on the state of installation art in Utah.

15 bytes reviewed my latest installation, check it out!

Geoff Wichert reviewed Untitled Apogee in the January edition of 15 Bytes.

Brian Staker reviewed Untitled Apogee at UMOCA in City Weekly.

Ehren Clark previewed Untitled Congregation, my first solo installation, for the March 2013 edition of 15 bytes.

Is Music Invisible?' is composed of 5 improvisations over two days from the Canadian duo kiiln, Mathieu Ruhlmann and Lance Olsen. kiiln has incorporated imagery from my installations into the physical packaging of the album, as a continuation of my collaboration over distance and time with Ruhlmann.

Canadian sound artist Mathieu Ruhlmann has created this recording along with other members in D.O.R., and published an image of my work as the album art.